art:computer-art
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| Ambos lados, revisión anteriorRevisión previaPróxima revisión | Revisión previa | ||
| art:computer-art [2015/02/17 15:15] – [Bibliografía] Joaquín Herrero Pintado | art:computer-art [2015/02/18 16:37] (actual) – [Bibliografía] Joaquín Herrero Pintado | ||
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| - | ====== Computer Art ====== | + | ====== Computer Art (Arte Computacional) |
| - | ====== Autores ====== | ||
| - | [[: | + | ====== Propuestas teóricas ===== |
| - | [[:art:lev_manovich|Manovich, Lev]] | + | [[:art:historia_autonomia_arte|Historia de la autonomía en el arte]] - Jordi Claramonte |
| - | [[:art:juan_martin_prada|Martín Prada, Juan]] | + | [[:art:autonomia_modal|Estética (y autonomía) modal]] - Jordi Claramonte |
| - | [[:art:sam_ferguson|Ferguson, Sam]] | + | [[:art:ontologia_modal_hartmann|La Ontología Modal de Nicolai Hartmann]] - Jordi Claramonte |
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| + | To see why computer art is a new art form, consider why digital art is not. | ||
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| + | Computers run computational processes or algorithms that enable them to modify a display based on input. Computer art takes advantage of this to achieve interactivity, | ||
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| + | Proponemos una nueva teoría estética del Computer art: La estética de la participación espontánea | ||
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| + | Qué es el arte digital | ||
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| + | An account of computer art should provide a framework for criticism. The book suggests that specifically computer art criticism refers to facts about a work’s computer-based interactivity as reasons for its having a merit or flaw. The book also answers several widespread and rather influential critiques of computer art. | ||
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| + | Trataremos de evidenciar las numerosísimas vías abiertas para el desarrollo de nuevas poéticas que el estado de una hiperconectividad generalizada han hecho posible, epílogos todas de aquellas primeras indagaciones del arte de Internet de principios de los noventa. | ||
| + | ====== Autores ====== | ||
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| - | ====== Propuestas teóricas ===== | + | [[: |
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| ====== Bibliografía ====== | ====== Bibliografía ====== | ||
| - | **Candy, Linda; Ferguson, Sam // | + | **Candy, Linda; Ferguson, Sam // |
| >explore the boundary between the digital arts and interactive experience design. | >explore the boundary between the digital arts and interactive experience design. | ||
| - | **Eftekhar Shirazi, Manuchehr //Teorías estéticas de los mundos virtuales//, | + | **Eftekhar Shirazi, Manuchehr //Teorías estéticas de los mundos virtuales//, |
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| >Este estudio nos permite poner de manifiesto las características artísticas y estéticas del arte de los nuevos medios, tomando la estética como herramienta de análisis del arte multimedia y demostrando la naturaleza de la estética de los mundos virtuales, a la vez que proponemos una nueva teoría estética del Computer art. | >Este estudio nos permite poner de manifiesto las características artísticas y estéticas del arte de los nuevos medios, tomando la estética como herramienta de análisis del arte multimedia y demostrando la naturaleza de la estética de los mundos virtuales, a la vez que proponemos una nueva teoría estética del Computer art. | ||
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| >This chapter examines the socially constructed responses that emerge through interaction with works designed for collective experience. The focus here is on the moments of creative spark that emerge between people as they mutually engage through collective art forms. These art forms exploit digital social infrastructure to create socially empowering public digital art forms where the emphasis is on the enjoyment of being creative together rather than art per se. | >This chapter examines the socially constructed responses that emerge through interaction with works designed for collective experience. The focus here is on the moments of creative spark that emerge between people as they mutually engage through collective art forms. These art forms exploit digital social infrastructure to create socially empowering public digital art forms where the emphasis is on the enjoyment of being creative together rather than art per se. | ||
| - | **Lopes, Dominic // | + | **Lopes, Dominic // |
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| >The book begins by using two conceptions of computer technology to distinguish what may be called “digital art” from “computer art” and to then argue that digital art is not an art form. | >The book begins by using two conceptions of computer technology to distinguish what may be called “digital art” from “computer art” and to then argue that digital art is not an art form. | ||
art/computer-art.1424186148.txt.gz · Última modificación: por Joaquín Herrero Pintado