There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.

There are many ways that people make money distributing free content and expression. They tend to differ based on the type of work and many other factors. Of course, the point of this definition is not to list these (although someone could create a page in this wiki to do exactly that). The point is to describe essential freedom. Once we have challenged ourselves to produce and consume content and expression more ethically, it becomes our responsibility to find ways to do so that are economically sustainable. Unless we challenge ourselves, there is a much lower incentive to ever go out on a limb and try. We also want to point out that the exact same question can be asked about the current copyright system. Most authors do not make a substantial amount of money from their works (many do not even make money at all). Some authors do manage to make money, but at the price of totally giving up control of their works to large publishers (especially in the USA, where total transfer of all rights by contract is possible and moral rights do not exist practically). Many artists of high value remained poor during much of their life, because their talent was recognized too late. Thus the question of how authors can make money from their work is not tied to the mere licensing model of the work (free vs. not free), but to the economic system surrounding authorship and to the social and cultural conditions of recognition.