Muestra las diferencias entre dos versiones de la página.
Ambos lados, revisión anterior Revisión previa Próxima revisión | Revisión previa | ||
proyectos:tfg:bibliografia:bryant2011a [2017/11/08 02:50] Joaquín Herrero Pintado |
proyectos:tfg:bibliografia:bryant2011a [2017/11/15 08:38] Joaquín Herrero Pintado |
||
---|---|---|---|
Línea 3: | Línea 3: | ||
en The Speculative Turn, Continental Materialism and Realism, Bryant, Srnicek, Harman (eds), re.press Melbourne, 2011 | en The Speculative Turn, Continental Materialism and Realism, Bryant, Srnicek, Harman (eds), re.press Melbourne, 2011 | ||
- | http://www.re-press.org/book-files/OA_Version_Speculative_Turn_9780980668346.pdf | + | Disponible online en [[http://www.re-press.org/book-files/OA_Version_Speculative_Turn_9780980668346.pdf|re-press.org]] |
+ | |||
+ | |||
+ | The first wave of twentieth century continental thought in the Anglophone | ||
+ | world was dominated by phenomenology, with Martin Heidegger generally the most | ||
+ | influential figure of the group. By the late 1970s, the influence of Jacques Derrida | ||
+ | and Michel Foucault had started to gain the upper hand, reaching its zenith a decade | ||
+ | or so later. It was towards the mid-1990s that Gilles Deleuze entered the ascendant, | ||
+ | shortly before his death in November 1995, and his star remains perfectly visible | ||
+ | today. But since the beginning of the twenty-first century, a more chaotic and in | ||
+ | some ways more promising situation has taken shape. Various intriguing philosophical | ||
+ | trends, their bastions scattered across the globe, have gained adherents and started | ||
+ | to produce a critical mass of emblematic works. While it is difficult to find a single | ||
+ | adequate name to cover all of these trends, we propose ‘The Speculative Turn’, as a | ||
+ | deliberate counterpoint to the now tiresome ‘Linguistic Turn’. The words ‘materialism’ and ‘realism’ in our subtitle clarify further the nature of the new trends, but also | ||
+ | preserve a possible distinction between the material and the real. |